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Bugenvil is a distinct, highly detailed and chic blackletter font. It is PUA encoded which means you can access all of the glyphs and swashes with ease!
Bugenvil are great and usefull for product logo, poster title, headline, packaging, badge, packaging logo , clothing brand logo, Vintage design and much more
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A heavy blackletter; Rudolf Koch’s first type from 1909.
On an old page full of type specimen from the 1930s, the type is described as ”Schwabacher (used by the Deutsche Reichsbahn [German Imperial Railway]).“ As a matter of fact, it is the first print of the Offenbach script master Rudolf Koch, who came out with this typeface in 1909.
At that time, it was given the name ”Neudeutsch“ (New German). Later, it became very popular under the name Koch-Schrift, and was at times the official typeface of the Deutsche Reichsbahn (German Imperial Railway).
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Perva is a suite of three eye-catching fonts inspired by display types from the 19th century. This unconventional family has three different font styles that can be used individually or combined to build a playfulness multi-typeface design system. It is suitable for titling, posters headlines, book covers, packaging, social media, and branding.
Perva brings together a Slab serif font, a.k.a Antique or Egyptian; a Reverse-contrast or Italian; and an Old English Blackletter.
The design is inspired by the display types listed as “Typographic monstrosities” in Thomas C. Hansard’s book Typographia (1825).
What he found absurd was understood here as interesting and enjoyable to introduce a contemporary approach of the types widely sold by foundries such as Bruce’s New York Type-Foundry and Caslon Foundry.
Each of the three fonts holds around 400 glyphs, covering the languages of Northern, Western, Central, and Southern Europe. Opentype features include case-sensitive forms and a couple of alternates for the Blackletter style.
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Jeztec Empire is an unique blackletter style, this font will give you stunning design. Jeztec Empire font is ideal for logo design, labels, posters or pretty much anything else that requires a unique touch.
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Lanetta is the perfect mixture between a blackletter and serif font. It's narrow characters give it stylistic appeal that you just can't get anywhere else. It's the perfect font for the fall/winter seasons, too.
Perfect for use in letters and documents, branding and logos, websites, book and album design, themed projects, and anything else that could use edgy elegance.
Glyph count: 440.
Supports most western languages.
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Lanetta is the perfect mixture between a blackletter and serif font. It's narrow characters give it stylistic appeal that you just can't get anywhere else. It's the perfect font for the fall/winter seasons, too.
Perfect for use in letters and documents, branding and logos, websites, book and album design, themed projects, and anything else that could use edgy elegance.
Glyph count: 440.
Supports most western languages.
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Lanetta is the perfect mixture between a blackletter and serif font. It's narrow characters give it stylistic appeal that you just can't get anywhere else. It's the perfect font for the fall/winter seasons, too.
Perfect for use in letters and documents, branding and logos, websites, book and album design, themed projects, and anything else that could use edgy elegance.
Glyph count: 440.
Supports most western languages.
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A modern black-letter, so to speak. Composed of a few basic elements with a wide-quill ductus.
Faber Fraktur was based on the idea that it must be possible to create a modern black-letter type. The typeface is ”constructed“ according to the same principles as a script without serifs: as few varied basic forms as possible, omission of frills which make the type difficult to read and repetition of similar forms.
The typical contrasting strokes of the original handwritten black-letter script are retained nonetheless. The elements of this typeface were even pre-formed with the quill.
All characters are reduced to their basic skeleton. The fanciness and manifold ”breaks“ or fractures typical of black-letter typefaces are considerably reduced to just a few essentials.
Faber Fraktur is a very legible type perfectly suitable for long texts. It does not appear nearly as foreign and archaic as the old black-letter fonts. The capital letters especially have a charm of their own radiating a kind of playfulness in spite of their severe form.
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A modern black-letter, so to speak. Composed of a few basic elements with a wide-quill ductus.
Faber Fraktur was based on the idea that it must be possible to create a modern black-letter type. The typeface is ”constructed“ according to the same principles as a script without serifs: as few varied basic forms as possible, omission of frills which make the type difficult to read and repetition of similar forms.
The typical contrasting strokes of the original handwritten black-letter script are retained nonetheless. The elements of this typeface were even pre-formed with the quill.
All characters are reduced to their basic skeleton. The fanciness and manifold ”breaks“ or fractures typical of black-letter typefaces are considerably reduced to just a few essentials.
Faber Fraktur is a very legible type perfectly suitable for long texts. It does not appear nearly as foreign and archaic as the old black-letter fonts. The capital letters especially have a charm of their own radiating a kind of playfulness in spite of their severe form.
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Introducing Almety by Tlatous Type.
Almety is a Modern Handwritten Script Font.
This font is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background.
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Introducing Almety by Tlatous Type.
Almety is a Modern Handwritten Script Font.
This font is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background.
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Introducing Shabella by Tlatous Type.
Shabella is a Modern Handwritten Font.
Shabella is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background.
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Introducing Blackseeds - Blackletter font Inspired by Modern Calligraphy style and combination with Gothic Hand Lettering style. Ideal for logos, packaging, quotes, header, poster, merchandise, social media, greeting cards, etc. Each file contains uppercase, lowercase, numerals, basic punctuations, symbol, Multi-language Support.
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Introducing Rusty Store Typeface
Rusty Store Typeface is inspired by the classic era typeface in the 1800 era but is combined with today’s era and produces a very elegant and charming typeface. The details of the “Rusty Store” shape are very subtle and flow creating unique and gorgeous curves. Elegant serif like “Rusty Store” are very easy to apply to any design, especially those with an elegant and smooth concept, apart from that this font is very easy to use in both design and non-design programs because all alternates and glyphs are supported by Unicode (PUA).
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Introducing Rusty Store Typeface
Rusty Store Typeface is inspired by the classic era typeface in the 1800 era but is combined with today’s era and produces a very elegant and charming typeface. The details of the “Rusty Store” shape are very subtle and flow creating unique and gorgeous curves. Elegant serif like “Rusty Store” are very easy to apply to any design, especially those with an elegant and smooth concept, apart from that this font is very easy to use in both design and non-design programs because all alternates and glyphs are supported by Unicode (PUA).
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This font can use in any media like tees design, poster, banner or movie logo type. Let's try ! Awesome font be with you !
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Hardinge is born from an original and blackletter style font. It has a classic, vintage-style which is perfect for logos, branding materials, t-shirts, prints, business cards, and every other design which needs a unique and striking typeface.
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